Category Archives: Television

With Umbrella, Scotch and Cigarettes

With Umbrella-Avengers-Paperback Cover FrontWith Umbrella, Scotch and Cigarettes, the sister-book to The Strange Case of the Missing Episodes, has just been released – with co-authors Richard McGinlay and Alan Hayes telling the fascinating behind-the-scenes story of the mostly-missing series one of cult ’60s TV show The Avengers.

In this exclusive guest article, Richard explains why he and Alan (who also runs the The Avengers Declassified website) decided to don the trenchcoats once more and further investigate the monochrome crime-fighting adventures of Patrick Macnee’s mysterious secret agent John Steed and Ian Hendry’s Dr. David Keel.

“Some of you might be thinking: “Hang on a minute! The Avengers? Series 1? Haven’t you done a book about that already?”

Well, yes, we have. In 2013, Alan Hayes, his wife Alys, and I produced a book entitled The Strange Case of the Missing Episodes, which retold, in the form of detailed summaries, the lost stories from the first series of The Avengers. There were plenty of those to cram into the book, as 24 of the 26 episodes from that period of the show are missing or incomplete, presumed wiped.

However, Alan and I had a lot more to say about this mostly missing year. Aside from a short introductory essay, Strange Case had barely scratched the surface of the real-life story of Series 1 – that is, its production. With Umbrella, Scotch and Cigarettes looks at the why, who, how and where of the Keel and Steed era of The Avengers. It examines why the show was commissioned in the first place, touching upon the cancellation of Ian Hendry’s previous series, Police Surgeon. It discusses who worked on The Avengers behind the scenes, including detailed biographical information about drama supervisor Sydney Newman, producer Leonard White, the directors, writers, actors, and many others. It describes how The Avengers was realised, from the earliest discussions of the show’s format and the gathering of scripts, to the design of sets and the creation of special effects. It also explores where the series was made, including a history of Teddington Studios and details about the locations used for exterior filming.

It wasn’t an easy ride for the programme makers, and our new book documents all the difficulties of the process – from late scripts and contentious rewrites to rickety props and stunts that did not go quite according to plan – as well as the pleasures. Despite the problems, those involved with the series have all looked back upon it with affection.

Avengers-HendryAlan and I had this book in mind even before the publication of The Strange Case of the Missing Episodes. Our initial plan was to produce a single book about Series 1, covering the storylines as well as the behind-the-scenes stuff. However, as soon as we started collating our researches, it became clear that there had to be two books. The total page count of the two volumes we have now published is close to 700 pages, and though it would have been possible to produce a book of that extent, it would not have been economical for us to do so. Therefore, we published the storylines book first… and now the ‘making of’ book.

In case you are wondering why it has taken us a year to complete With Umbrella, Scotch and Cigarettes, there are a couple of reasons for that. Firstly, we wanted to see how the first book went down with its readers. As it happens, we have had a lot of very positive and useful feedback, which has helped us to make the second book even better! For example, reader comments inspired us to add illustrations, which were provided by the talented artist Shaqui Le Vesconte. The second and arguably the most important consideration is that we have been a lot more ambitious with the content of this book.

Avengers-MacneeAs some of you will be aware, there is already a large body of work about the making of Series 1 on Alan’s website, The Avengers Declassified. However, we have built upon those researches substantially. Though of course our coverage of the individual episodes contains some fundamental facts that are common to both the book and the website, the episodic chapters of With Umbrella have been expanded considerably. Nowhere else can you read about the hazards of the sewer sets from Hunt the Man Down, for instance, or the Armchair Mystery Theatre and Callan teleplays that bear comparison to the episodes Death on the Slipway and Kill the King. About a third of the page count is wholly exclusive to the book, in the form of an in-depth essay at the front, covering the creation of The Avengers, another essay at the back, regarding the enforced hiatus that brought about a change of direction for the show after Series 1, and 60 pages of appendices, including full episode guides for the unmade storylines and licensed publications featuring Keel and Steed.

The opening essay includes some impressive detective work by Alan regarding precisely where and when a set of famous ‘sleuthing shots’ of Ian Hendry and Patrick Macnee were taken. Alan has also contacted a number of people who were involved in making The Avengers (or the relatives of those who are sadly no longer with us), who have kindly helped us to fill in some of the blanks. We’ve also been out and about, visiting the British Film Institute, for example, in whose Special Collections reside the unproduced Keel storylines The White Rook and Fifi and the Scorpion.

Yes, Alan and I had a very great deal to say about Series 1 of The Avengers, which is somewhat better represented in terms of production documentation than it is in the form of actual surviving episodes – but after this book, we are moving on to other subjects.

The topic of our next volume will be of related interest, though, as it will cover the aforementioned Ian Hendry series Police Surgeon, of which only one episode is known to exist from its thirteen-week run back in 1960. Dr Hendry’s Casebook will be published some time next year. After that, we have some nebulous ideas for other books that should also appeal to readers of Wiped News!

With Umbrella, Scotch and Cigarettes (£19,99 paperback/£24.99 hardback) and The Strange Case of the Missing Episodes (£19,99 paperback/£24.99 hardback/£2.99 ebook)  are available in print exclusively from www.lulu.com, though from November 2014 they will also be for sale at Amazon sites worldwide. Until October 6, you can use the following discount codes togetger: ‘FWD15’ gets 15% off and ‘GMF14’ gives free shipping.

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Recording of Sean Connery’s first lead TV role discovered after more than 50 years

requiemforheavyweightSean Connery’s first-ever on-screen performance has been rediscovered more than 50 years after its first and only TV broadcast.

The “priceless” recording of ‘Requiem for a Heavyweight’, a one-off BBC drama, was found gathering dust in a London attic.

Aired in 1957, it saw a young Connery in the lead role of washed-up boxer Malcolm “Mountain” McClintock and introduced the nation to the actor’s trademark Scottish brogue.

Like all TV shows in the 1950s, the 75-minute programme was not officially recorded but broadcast live from a studio.

But director Alvin Rakoff recognised Connery’s talent and “thought it prudent, for posterity’s sake” to capture an audio recording of the show for his own private collection.

It was stowed under old blankets in his loft for safekeeping but was “soon forgotten” as his burgeoning Hollywood career took off.

The Emmy Award-winning director, now 87, finally dug out the vintage reel-to-reel tape on Monday after inadvertently reminding himself of its existence during a media interview – about Connery’s accent – last week.

Until now, no-one – including Connery, now 83, – knew that a copy existed.

Canadian-born Rakoff, whose movies have featured cinematic icons like Laurence Olivier, Donald Pleasence, Peter Sellers, Kenneth More and Alan Bates, said: “It was my habit in those days to take audio recordings of some of my better work. It was the only way of capturing it given that everything went out live.

“Sean was tall and strikingly handsome – he was an obvious star in the making – so I decided to take a copy for posterity, should my inkling come true. An international legion of 007 fans will be pleased it did.”

Requiem for a Heavyweight was originally a teleplay that was later adapted for British and American TV. It was also made into a feature film starring Quinn, Jackie Gleason and Mickey Rooney.

The British version was screened on March 31 1957 in the BBC’s Sunday Night Theatre anthology, and starred Warren Mitchell and Michael Caine.

Connery, who went on to play James Bond five years later, was cast as the lead.

But the BBC only began recording programmes in the ’60s. Until then, all shows were live. It means thousands of programmes, including Requiem for a Heavyweight, will never be seen again.

Luckily Rakoff, who launched Connery’s career with earlier walk-on parts, set-up a line feed and captured the show as audio.

He remembered the reels’ existence after discussing Connery’s accent in an interview, and “dug them out” after nearly six decades “gathering grime”.

Rakoff, who moved to the UK from Canada to work for the BBC, has just completed his latest work, ‘The Seven Einsteins’ – a novel set for big-screen adaptation.

He said: “It is remarkable that the tapes survived, unharmed, for so long. It’s also remarkable that I remembered them – they could easily have been left in the attic for another 60 years.”

Although no actual footage of Requiem for a Heavyweight exists, experts say the recording is a “major coup” for the British TV and film industry.

Chris Perry of The Kaleidoscope Archive, the classic TV and film organisation which has taken the reels for digitisation, said: “It goes without saying that this audio, featuring Sean Connery’s first on-screen lead performance, is priceless.

“It’s a snapshot of a golden era of television when programmes were broadcast live to an expectant nation.”

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Kaleidoscope uncover treasure trove of lost Pan’s People performances

A ‘treasure trove’ of steamy Top of the Pops performances by TV dance troupe Pan’s People is set to get men’s pulses racing once more — after being lost for over 40 years.

In an era before pop videos, the all-female group’s sultry routines to chart toppers of the day gave millions of dads a reason to tune in to the BBC’s flagship music show every week.

Yet despite being a staple of the programme for nearly a decade, the majority of Pans People appearances no longer exist — wiped by the BBC, along with hundreds of vintage editions of Tops of the Pops, in the late 1970s.

But now a dozen “sorely missed” Pans People performances — to hits by pop stars including T.Rex, Barry White, Elton John, The Jackson 5 and Diana Ross — can be seen again, after being uncovered in a music producer’s private collection.

The long-lost clips — choreographed by Felicity “Flick” Colby and featuring well-remembered Pan’s People dancers including Patricia “Dee Dee” Wilde, Louise Clarke, Ruth Pearson and Barbara “Babs” Lord — will be screened by Midlands-based TV research organisation Kaleidoscope at a special event in June.

Wilde, who hopes to be attending the one-day event on June 1, says it will be an “exciting if poignant experience” watching the clips since co-founders Colby and Clarke have both died in the last two years.

She said: “Considering that Pan’s People danced on Top of the Pops week in, week out, for so many years, it’s such a pity that most of our routines have been lost, wiped by the BBC back in the 70s.

“To hear that some of them have now been recovered thanks to a collector recording them himself and keeping the tapes all these years really is wonderful. Often we never even saw them go out as we were so busy.

“I can’t wait to see them again and it’s just so sad that neither Flick nor Louise are with us to enjoy their rediscovery too.”

The rare clips, dating from between 1973 and ’75 and featuring Pan’s People dancing to hits such as Truck On Tyke by T.Rex, (For You) I’ll Do Anything You Want Me To by Barry White, Island Girl by Elton John, I Want You Back by Jackson 5 and All Of My Life by Diana Ross, were tracked down in the collection of record producer and songwriter Ian Levine.

Other “significant” finds include dance routines to Dance With The Devil by legendary rock drummer Cozy Powell, You Ain’t Seen Nothing Yet by Bachman Turner Overdrive and Rhythm And Blue Jean Baby by Lynsey De Paul.

Kaleidoscope spokesperson Chris Perry said: “This is a major find of missing Pan’s People performances in great condition not held by the BBC, Pan’s People or anyone else.

“Ian recorded the clips off the TV back in the 1970s using an early video recorder, and the tapes had sat unused on his shelf until donated to Kaleidoscope last year.

“We’ve received a huge haul of 20,000 tapes from Ian which we are currently cataloguing. We’ve also recently come across an almost complete Top of the Pops missing from the archives from 1976 so who knows what else is waiting to be found!”

Pan’s People expert Mike Morton, who will be releasing a biography of the dance troupe next year, added: “All in all this is a remarkable collection that manages to capture all the excitement and energy that made Top Of The Pops the greatest music show on television.

“Watching Pan’s People dance to the T.Rex hit ‘Truck On Tyke’, for example, is such a treat as no footage exists anywhere in the world of that particular Marc Bolan song, while they look like five sexy dream-catchers with feathers hanging from their waists in an electric performance alongside Cozy Powell.”

Pan’s People first appeared on Top of the Pops in 1968, four years after the programme was first aired, dancing to US Male by Elvis Presley.

They also appeared on other TV shows of the era including Lulu, The John Denver Show and The Two Ronnies.

Their last Top of the Pops appearance was in April 1976, dancing to Silver Star by The Four Seasons, but the troupe remained popular after leaving. During this period Sarah Brightman, who later married composer Andrew Lloyd Webber, was briefly a member.

For more information on Kaleidoscope’s The Ballroom! event on June 1, visit www.kaleidoscope.org.uk

ENDS

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Kaleidoscope event to screen rare and recently recovered Associated-Rediffusion shows

“This is Rediffusion, broadcasting on the London station of the Independent Television Authority.”

Kaleidoscope’s 25th year begins with Rediffusion Rewind, an event celebrating the London broadcaster of the fifties and sixties. As well as a special panel on Sexton Blake, we have former Rediffusion continuity announcer Keith Martin on stage to discuss his time at the company and a video interview with veteran director Christopher Hodson. Little of Associated-Rediffusion and Rediffusion’s programming survives today and we are pleased to present a schedule full of rare items, including some recent recoveries by The Tim Disney Archive and Kaleidoscope.

The event will take place on Saturday 9th March 2013 between 12:00 – 7:00pm at our usual venue, The Talbot Hotel, High Street, Stourbridge, West Midlands DY8 1DW. Admission is free, but voluntary donations to our designated charity, the Royal National Lifeboat Institution are encouraged.

THE MAIN ROOM

  • 12:00 pm Recreated Associated-Rediffusion start up – the famous London broadcaster lives again, thanks to some modern technical wizardry…
  • 12:05 pm Crime Sheet – “The Superintendent Hedges A Bet”. Ordinarily the second Associated-Rediffusion series to feature Raymond Francis as Det. Supt. Tom Lockhart, due to Francis contracting mumps this fourth episode featured Chief Supt. Carr, played by Gerald Case. An episode of No Hiding Place, the third Lockhart series can be seen in the Second Room at 1.00pm (TX: 29/04/1959).
  • 12:30 pm Hodson’s Choice – in this comprehensive video interview, veteran director Christopher Hodson reminisces about his career with particular focus on his years at Associated-Rediffusion and Rediffusion.
  • 1:00 pm Our Man at St. Mark’s – “A Previous Conviction”. Recovered by The Tim Disney Archive and Kaleidoscope in 2012, this rare episode of the sixties ecclesiastical comedy stars its original lead, Leslie Phillips. Rev. Parker’s attempt to give an ex-convict a new start has unexpected complications. Also featuring Joan Hickson, Warren Mitchell and Freddie Jones (TX: 23/10/1963).
  • 1:30 pm Half Hour Story – “George’s Room”. John Neville and Geraldine Moffatt star in a two-hander scripted by Alun Owen and directed by Alan Clarke. Made in 625-line colour as an engineering experiment, only the last twelve minutes survive, shot directly on film rather than telerecorded. A rare chance to see material in colour from this period, including a colour Rediffusion animated ident (TX: 30/08/1967).
  • 1:42 pm Break
  • 2:00 pm Guest Panel – Sexton Blake Lives! – A celebration of the much loved Rediffusion adaptation. Roger Foss, Tinker in the series and other surviving cast members talk with Paul Ross, author of a forthcoming book on Sexton Blake. The panel also features surviving clips and photographs from stories now lost.
  • 3.00 pm Break – accompanied by Fusion, a compilation of classic Associated-Rediffusion and Rediffusion moments and title sequences including Benny Hill, Woody Allen, The Rat Catchers, Boyd QC and Object Z.
  • 3:30 pm Betjeman’s London – “The Royal Mint”. Future Poet Laureate John Betjeman presents this documentary series covering the landmarks of his home city. Copies of the original Rediffusion publicity booklet for the whole Betjeman’s London series will be available to own on the day, in return for a donation to the Royal National Lifeboat Institution. There will also be duplicated copies of the final Rediffusion programme schedule, a very colourful leaflet giving details of the final month of the station’s output, again available for a donation to our designated charity.
  • 4:00 pm Guest Panel – This is Rediffusion… – Continuity announcer Keith Martin talks about his time at the company and others later in his career. Keith also has the distinction of being one of the regulars “in the bar” on Stars and Garters! Some very rare examples of Rediffusion continuity will feature in the panel.
  • 4:30 pm Uncle Charles – “Gentle Counsels”. Based on the stories of Nigel Balchin, Uncle Charles is the endearing rogue and raconteur propping up the bar, always with a compelling tale to tell. Raymond Huntley heads the cast, supported by David Morton, Alfie Bass and Dudley Foster. This programme was recovered by The Tim Disney Archive and Kaleidoscope in 2012. The series, which has never been shown in the Midlands before now also features music by Ron Grainer (TX: 13/01/1967).
  • 5:30 pm Stars and Garters. The hugely popular Rediffusion variety show hosted by comedian Ray Martine and set in a fictional public house. This edition features The Alan Braden Band and Quartet, Susan Maughan, Kim Cordell, Steve Perry, Luciano, Johnny Sheldon, Sulky Gowers, Tommy (Pudden) Wright and Diana Dors (TX: 01/02/1965).
  • 6:00 pm Maps & Men – “Falkland Islands”. An Associated-Rediffusion schools programme (TX: 20/01/1959).
  • 6:10 pm Small Time – Wally Whyton sings in the sole surviving clip, located as an insert in an ITV programme. Followed by Muskit and Dido, the only remaining adventure of this loveable duo.
  • 6:15 pm The Hippodrome Show. Rediffusion variety show, with Frank Foster as the Ringmaster and also featuring Alan Sherman, Linda Bennett, The Zombies, The Herculeans, Alma Paia, Tagora, Moni The Elephant, The Three Ghezzis and The Band of The Grenadier Guards (TX: 20/10/1966).
  • 7:00 pm Closedown – coverage of the 1959 General Election coverage ends with the Associated-Rediffusion clock and a closedown announcement from Redvers Kyle.

 

THE SECOND ROOM

  • 12:00 pm Blackmail – “Cut Yourself A Slice Of Throat”. Dramatic anthology drama with stories constructed around the theme of blackmail. This episode features Diane Cilento, Aubrey Richards, Dudley Jones and future Doctor Who producer Derrick Sherwin in an acting role (TX: 15/10/1965).
  • 1:00 pm No Hiding Place – “The White Stick”. An early episode of the celebrated drama series following the cases of Det. Chief. Supt. Tom Lockhart, played by Raymond Francis. Lockhart is assisted by Det. Sgt. Harry Baxter (Eric Lander). Also featuring Terence Alexander, Pauline Jameson and Jack Smethurst in a script by Bill Strutton (TX: 14/07/1961).
  • 2:00 pm Women in Love – a series of short plays on the theme of women in love, with linking introductions by the actor George Sanders. The plays are After So Long by Bridget Balfour, Song Without Words by Michael Meyer and The Stowaway by Charles Terrot. Produced by Peter Graham Scott and directed by Julian Amyes, Peter Graham Scott and Ronald Marriott (TX: 24/09/1958).
  • 3:00 pm At Last the 1948 Show. Before Monty Python or The Goodies, John Cleese and Tim Brooke-Taylor edited this famous satirical show, bringing Cambridge Footlights humour to a wider audience. Masterminded by David Frost, the programme was written by and starring John Cleese, Tim Brooke-Taylor, Graham Chapman and Marty Feldman and also featured Aimi MacDonald. The edition presented here was not on the DVD release or seen in more recent repeat showings (TX: 31/10/1967).
  • 3:30 pm Orlando – “Dangerous Waters 3: Rhyme – But No Reason”. Sam Kydd’s character from Crane, ex-Foreign Legionnaire Orlando O’Connor was so successful he was granted his own spin-off series, aimed at children and young adults. An episode of Crane also featuring Orlando will be shown at 6.00pm (TX: 12/10/1966).
  • 4:00 pm Badger’s Bend – “The Animal Hotel episode 1”. First episode of the children’s serial about a girl who moves to the country and becomes interested in caring for animals (TX: 04/01/1963).
  • 4:30 pm Double Your Money – a later edition of the long running quiz show, in its day one of the most popular programmes on British television. Presented by Hughie Green, assisted by Monica Rose and Audrey Graham (TX: 22/11/1966).
  • 5:00 pm The Dickie Henderson Show – “The Maid”. Sitcom starring the famous entertainer at the height of his fame. Also featuring June Laverick as Dickie’s wife and John Parsons as Richard, his son (TX: 10/04/1961).
  • 5:30 pm London – A New Look. Brian Connell presents a discussion programme about the plan to replace the old London County Council with the proposed Greater London Council. Guests are Sir Edwin Herbert KBE, Lord Morrison of Lambeth, Sir Percy Rugg, Professor W. A. Robson, Sir Cyril Black MP, Alderman Leslie Room OBE, Alderman G. A. Pargiter and Alderman W. J. Ridd. This programme has survived on original 405-line videotape (TX: 24.11.1960).
  • 6:00 pm Crane – “The Cannibi Syndicate”. An early episode of the adventure series starring Patrick Allen as Richard Crane. As well as series regulars Sam Kydd, Gerald Flood, Bruce Montague and Laya Raki, David Graham and Derek Benfield also feature (TX: 16/04/1963).
  • 7:00 pm Closedown

 

All material at Kaleidoscope events is screened with the permission of the copyright holders.
Programmes and timings may be subject to change before the day.
Guests appear subject to professional and personal commitments.

In 2013 Kaleidoscope is supporting the
Royal National Lifeboat Institution once again.

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Lost Rolling Stones Top of the Pops footage discovered

PRECIOUS CLIPS of The Rolling Stones perfoming 19th Nervous Breakdown on Top of the Pops has been unearthed by Wiped News’s resident columnist Ray Langstone.

Ray – who writes the Raider of the Lost Archive column – found the footage from the wiped performance in a 1966 BBC documentary on women’s mental health, “WOMEN,WOMEN,WOMEN: COMING TO TERMS”, which still resides in the BBC archives.

The rediscovered footage consists of two short clips from the lost Top of the Pops appearance, broadcast 03/02/66, totalling 33 seconds in total.

It features in new BBC Two programme The Rolling Stones at the BBC, which “celebrates the 50th anniversary of The Rolling Stones by delving into the vaults of archive material for a decade by decade retrospective of the band’s greatest hits”.

You can also see the clips of 19th Nervous Breakdown below.

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Lost behind-the-scenes James Bond footage comes in from the cold

LOST BEHIND-THE-SCENES footage from the making of James Bond film The Spy Who Loved Me has been found in time for the secret agent’s 50th anniversary.

The rare footage comes from a recently recovered edition of children’s TV show Clapperboard — “ Behind the Scenes on The Spy Who Loved Me” — dedicated to the making of the film.

The 25-minute programme (Tx 17/1/77) also includes a lost interview with famed Bond set designer Ken Adam, who was nominated for a BAFTA for his work on the movie.

Notably, the 1977 film starring Sir Roger Moore as 007 featured a supertanker set which was the largest sound stage in the world at the time it was built.

The show is one of two editions of ITV’s Clapperboard passed on to classic TV organisation Kaleidoscope by a contact involved in the making of a new James Bond documentary being produced for the film franchise’s 50th anniversary.

The other, from 14/2/77, also features Adam — who made his name with his innovative, semi-futuristic sets for the James Bond films of the 1960s and ’70s — but looks more at his other work such as “Chitty Chitty Bang Bang” and “Sleuth” with Michael Caine and Laurence Oliver.

Both episodes come from 91-year-old Adam’s personal collection and have now been transferred from the original U-Matic broadcast tapes to digital format.

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Lost Doctor Who footage and musical performances by the Spencer Davis Group unearthed

RARE behind-the-scenes footage from Doctor Who has been discovered.

The brief clip shows movie Doctor Peter Cushing preparing to battle arch foe the Daleks during the making of an early big-screen adaptation of the long-running sci-fi series.

The precious black and white footage, taken on the set of cult sixties film Dalek Invasion of Earth: 2150 A.D., also captures director Gordon Flemyng — father of actor Jason — behind camera as he talks with stunt-men and plans out the movie’s climatic final scenes.

The material is the first to be uncovered documenting the 1966 film and forms part of a ‘lost’ TV show found recently in the possession of a collector living in Wales.

Though the BBC wiped the master-tape of A Whole Scene Going, a copy of the magazine show — also featuring an interview with Flemyng and musical performances by the Spencer Davis Group — was made and found its way on to the collector’s circuit.

Classic TV organisation Kaleidoscope, which recovered the unique 16mm film print in conjunction with the Tim Disney Archive, said the find will “delight” Doctor Who and vintage music fans alike.

Chris Perry of Kaleidoscope said: “A Whole Scene Going is an exciting TV find on two fronts.

“For Doctor Who fans there’s a fascinating glimpse into the making of feature film Dalek Invasion of Earth: 2150 A.D., showing Peter Cushing as the Doctor on the set along with director Gordon Flemyng and lots of Daleks.

“For music lovers there are priceless performances by classic British beat band the Spencer Davis Group as well as American singer/songwriter Judy Collins.

“Sixties pop shows were routinely shown live or wiped after transmission so it’s great to find one that slipped past the eraser’s magnet!”

Tim Disney of the TDA said: “How this print came into existence or found it’s way to a Welsh village, we’ll never know.

“However, one theory is that it could have been film recorded by BBC Wales from the network feed down the line from London for transmission at a later date.”

A Whole Scene Going was a short-lived TV teen culture show hosted by Wendy Varnels and Barry Fantoni.

The recovered edition, from March ’66, captures Flemyng at Shepperton Studios while directing an action-packed finale involving Horror icon Cushing and an army of Robomen thwarting a Dalek plan to drop a giant bomb into the Earth’s core.

Cushing played the Timelord — currently portrayed on TV by Matt Smith — in two Flemyng-directed films during the height of “Dalekmania”, also starring in 1964’s box-office hit Doctor Who and the Daleks.

Interspersed with the footage is an interview with Flemyng — who died in 1995, aged 61 — revealing that he preferred making “entertainment pictures”as opposed to more high-brow films, but “didn’t take them any less seriously”.

The emergence of A Whole Scene Going has also got music fans excited with the discovery of a rare interview with the Spencer Davis Group, who also perform chart-topping single “Somebody Help Me Now” in the studio.

Kaleidoscope and the TDA — who bought the film print privately from the collector — are currently in the process of returning a digital copy to the BBC Archive.

Eager fans will get the chance to see the recovered footage for the first time in more than four decades at Kaleidoscope’s next screening event, taking place in Stourbridge, West Midlands, on Saturday, June 9.

Tim Disney of the TDA added: “Dr Who was not the primary draw for us in recovering this programme, but the content of the programme as a whole — the exciting period of popular culture it reflects and it’s place in the history of British television.

“Thankfully, after the collector discovered he had a unique TV recording he was keen to ensure it would be returned to the BBC archives, turning down silly money offers to deal instead with Kaleidoscope and the TDA.”

To see a clip from the recovered show visit www.timdisneyarchive.com. For more information about the screening visit www.kaleidoscope.org.uk.

Click here for full contents of the recovered episode of A Whole Scene Going.

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